Nepal: Culture And The Cultural Policy
Prem Khatry
The main and distinct
feature of Nepali culture is that it is colourful, diversified, plural
and highly traditional with enough room for modernisation and
functionalisation. That is so because some traditions and customs
persist over time owing to their relevance while others need to go. New
ideas and practices tested by time gradually weed out the unnecessary
rules, practices and customs. That is, however, traditional it might be,
there is always room for timely changes and modification in a culture.
Years ago, UNESCO started a campaign of compiling a
monograph on the cultural policy of member nations. No exact data are
available as to how many nations actually compiled such a monograph, but
this scribe had an opportunity to browse through some monographs in the
libraries of the University of California decades ago. The monographs
were of almost uniform size and shape and covered nearly similar topics
and issues relevant to their respective countries.
The idea of having such a monograph was to make the
information globally accessible to all the member nations. The main
objective was, however, to help nations have their cultural policy in
hand so that preservation, study, research and other projects could be
designed.
A little later, perhaps in the early 1990s, there was
a monograph on the cultural policy of Nepal written by none other than
Dr. Saphalya Amatya, former Director General of the Department of
Archaeology, and a well known scholar. It is difficult to imagine
whatever happened to the monograph and its expected circulation, but it
is heard that the government has assigned some scholars and agencies to
work on the project all over again. In any case, this is a welcome step
if proper and qualified personalities are involved to compile the
cultural policy of Nepal in a more comprehensive and acceptable way.
National need
The compilation of the nation’s cultural policy is
especially important not only because we are a nation of many cultures,
traditions, faiths and belief systems but also because this is the time
to look into ourselves and make as well as redesign the potential impact
of culture on the lives of the people concerned in the present context.
Many of our age-old traditions and beliefs have had a negative impact
on our social development. Due to the lack of proper education and
resources, awareness and advocacy programmes have not reached places
where such impacts are found.
On the other hand, many of our resources such as
traditional wisdom have not been highlighted, promoted and fully
utilised or listed for preservation. The cultural policy to be drafted
and finalised for publication needs serious attention in this regard.
It is worthwhile to note here that the primary work
of listing the priorities and main issues to be addressed in the making
of a cultural policy of Nepal was commissioned at the Central Department
of Nepali History, Culture and Archaeology a few years ago. The
Ministry of Culture and Tourism had initiated and entrusted this to the
said Department of TU, and a team of professors led by the then Head had
duly and precisely compiled the outline of the work within the given
time frame. The file must be sitting in some corner of the Ministry or
the Department of Archaeology (DOA) of the Government of Nepal.
But, as is the normal practice in Nepal, the
whereabouts of this primary work was almost forgotten even by the
contributors who had meticulously worked on the project and had signed
out. Interestingly enough, now a new team has been created and entrusted
once again for finalising the work. In any case, it is highly
gratifying to see that Nepal will be finally showing to the world its
cultural policy in the new and changing context. If, and only if, the
newly chosen team bothers to dig out the files and dust them off
carefully, it will find many useful tips as outlines, if not the final
form, and proceed on with its new assignment.
Nepal (then Royal) Academy a few years ago launched a
project entitled ‘intangible cultural heritage listing’. In about three
years’ time, the listing was complete for the Eastern and Far Western
Development Regions. Currently there is a plan to continue the work in
the Western region. The study indicated that there is so much to list,
study, publish and preserve. The listing of tangible heritage can be a
separate project in its own right. The indigenous communities, the
minority groups and regions have specific cultural traditions that need
support and study.
There is an urgent need to complete the listing of
the heritage in all the five regions of the country. The report
submitted to the Academy includes preservation and study plans along
with the approximate budget. The objective of this mention here is that
the cultural policy of the country must focus on the need to list,
study/research, publish and preserve all the cultures of the country.
Nepal Academy could be the focal point to plan and carry out a more
comprehensive study of Nepali culture. However, the recent constitution
of this institution does not indicate this concern.
Finally, as the country braces up to move gradually
towards federalism, each federation constituting the Union will be a
replica of the national culture - a harmonious existence of scores of
divergent yet accommodating people, scores of languages, traditions and
beliefs, and wisdoms, to name a few features. Therefore the new cultural
policy to be designed, drafted and finalised must address the need to
not only incorporate the value of pluralism but also to frame a policy
to uplift the cultures of the minority, enable them to foster their
cultures, and make them able to modify, use and sustain them.
Respect for other cultures
Our cultural policy must reflect our concern to
uphold the basic strands that have always preserved national unity,
fraternity and respect for other cultures against disintegration,
domination and fragmentation. Let us hope New Nepal will be a much
cherished home for all cultures and their carriers, the colourful and
ever friendly people regardless of their roots, branches and skins.
Source : http://www.gorkhapatra.org.np/rising.detail.php?article_id=36198&cat_id=7
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